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Apoc
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The Lifelong Republicans Who Love Bernie Sanders
The Lifelong Republicans Who Love Bernie Sanders
Согласно Книге рекордов Гиннесса, больше всего букв в алфавите кхмерского языка
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The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
Вот однажды Петраков хотел спать лечь, да лёг мимо кровати.  
Не напиться нам, не умыться, не продрать колтун на ресницах. Не напиться нам, не умыться, не продрать колтун на ресницах. 
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About

Apoc by a French type designer Matthieu Salvaggio is thin and sharp with aggressive serifs, almost as if they were cut by a knife. Originally, the author started the design process inspired by a lettrage on a cover of The Book of Revelation (Apocalypse in French, thus the name and the spirit of the typeface), the final book of the New Testament. Salvaggio built the typeface from the few characters he had originally — “APOCALYPSE”, uppercases only. The craziest style of the family, Apoc Revelations, is based on its expressive counter-forms.

The Light to Dark styles offer a more tranquil impression, with their simplified serifs and terminals, designed in a more angled way. The Dark styles have been additionally balanced with an extended x-height and angular, almost Egyptian-like, serifs.

The family also has two sans serif styles, Light Sans and Light Sans Italic. Overall, Apoc has sixteen styles, including italics, all of them equipped with ligatures and alternates. The Light to Dark styles are available as variable fonts as well: uprights and italics with weight axis, or all in one file with both weight and slope axes.

Features

Standard ligatures, proportional lining figures, proportional oldstyle figures, fractions, ordinals, denominator, numerator, subscript / inferiors, superscript / superiors, four stylistic sets

Languages

Afrikaans, Azeri (lat), Belarusian, Bulgarian, Chechen, Czech, Danish, English, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spain, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

Blaze Type

Blaze Type (BLZT) is a Lyon-based type design foundry founded by Matthieu Salvaggio in 2016. The studio produces fonts and typeface families which they distribute from their website and creates custom typefaces for clients with a focus on the functionality and with large symbol sets, supporting many languages and covering lots of alternates and ligatures.

Matthieu Salvaggio

Matthieu Salvaggio is an art director, graphic and type designer. In 2016, he founded Blaze Type, type design bureau based in Lyon. He collaborates with several designers in expanding the foundry’s catalogue, custom font design, and on various art direction projects always heavily focused on type. Matthieu’s work has been shown in several graphic design exhibitions, such as Golden Bee, Graphic Design Scotland.

Yury Ostromentsky

Yury Ostromentsky is a type and graphic designer. He is a graduate of the Moscow State University of the Printing Arts (2002), where his graduation project was done under the supervision of Alexander Tarbeev. He has worked as a designer and art director for publishers and design studios. From 2004 to 2012, he served as art director of the magazine Bolshoi Gorod (Big City), for which he created several display typefaces as well as several original typefaces and Cyrillic versions of Latin fonts in collaboration with Ilya Ruderman. His typefaces were honored at the Contemporary Cyrillic 2009 and 2014 competitions. In 2004 he and Ruderman, Dmitri Yakovlev and Darya Yarzhambek created DailyType, a website. In March 2014, again with Ruderman, he founded CSTM Fonts.

Typefaces by Yury Ostromentsky: RIA Typeface, Kazimir, Kazimir Text, Pilar, BestLife, Navigo, CSTM Xprmntl 01, 02 and 03.

Ilya Ruderman

Ilya is a type and graphic designer and teacher, lives and works in Barcelona. He is a graduate of the Moscow State University of the Printing Arts (2002), where his graduation project was done under the supervision of Alexander Tarbeev. He has a MA degree in type design from the Type & Media program at the Royal Academy of Art in the Hague (2005). After completing the program, he returned to Moscow, where he has collaborated for a number of media: Kommersant, Afisha, Moskovskiye Novosti, Bolshoi Gorod and Men’s Health Russia. In 2005-2007 he was art director for Afisha’s city guidebooks, following which he was art director for RIA-Novosti, a news agency, for several years. Since 2007 he has also supervised the curriculum in type and typography at the British Higher School of Art and Design in Moscow. He has been very active as a consultant on Cyrillic since 2008. In 2014 he founded CSTM Fonts with Yury Ostromentsky.

Typefaces by Ilya Ruderman: BigCity Grotesque Pro, Kazimir, Kazimir Text, Navigo, Permian (a typeface-brand for the city of Perm) and Cyrillic versions of: Austin, Dala Floda, Graphik, Marlene, Moscow Sans (as a consultant), Typonine Sans, Thema.

CSTM Fonts

Ilya Ruderman and Yury Ostromentsky (CSTM Fonts)

They are both graphic and type designers. Founders of CSTM Fonts (2014) type foundry and a new font distributor type.today (2016).

Graduated from Moscow State University of Print (Graphic Design Department), where they took Alexander Tarbeev’s classes. Later Ilya Ruderman graduated from Type & Media (Royal Academy of Art), the Hague, the Netherlands. After graduation he was a tutor of Type&Typography course at British Higher School of Art and Design, Moscow (2008-2015), was an art-director of information agency RIA Novosti. He is an author of cyrillic versions of such typeface as Lava, Graphik, Neutraface and others, that was made for such studios as Typotheque, Commercial Type, Typonine and House Industries. He is an author of: Permian typeface, Big City Grotesque and several other corporate typefaces.

Before 2013 Yury Ostromentsky worked mostly as an editorial designer and art-director of BigCity Magazine, where he used his personal lettering, that was the base of the Pilar typeface, released by CSTM Fonts last year. He is an author of several book series designs and logotypes.

Both typefaces of Ilya Ruderman and Yury Ostromentsky were the winners of such type design competitions as Modern Cyrillic 2009, Modern Cyrillic 2014, Granshan 2011, European Design Award 2012. Kazimir typeface and Tele2 Typefamily, the CSTM Fonts’s latest releases, were among the winners of Granshan 2015.