Style
Halunke
  • Desktop
    $30
  • Web
    $30
  • App
    $30
1 style
2020
  • Desktop
    $30
  • Web
    $30
  • App
    $30
140px
Regular
Вместе получается: «Неделима наша доля. Наша ноша нелегка».
Вместе получается: «Неделима наша доля. Наша ноша нелегка».
Или как будто бы кто-то невидимый подкрадется сзади, положит руки тебе на плечи и засмеется таким знакомым смехом, что и слез не сдержать
50px
Regular
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций. 
Согласно Книге рекордов Гиннесса, больше всего букв в алфавите кхмерского языка 
Full codepage
About

What looks like the aura of your migraine actually started out when experimenting with geometrical Arabic pattern designs. Halunke (German for scoundrel) is an expressive display typeface with no curves. With its sharp cuts and straight lines, it’s pushing the boundaries of letter shapes and challenges the reader. Halunke makes no compromises and leaves a lasting and very unique impression. The Tomorrow release includes the upright style of Halunke with Cyrillic glyph set, which was not available in previous versions.

Languages

Afrikaans, Bulgarian, Catalan, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Italian, Kurdish (lat), Latvian, Lithuanian, Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovene, Spain, Swedish, Turkish, Ukrainian, Uzbek (lat)

Authors

Elena Schneider

Elena Schneider is an independent type designer from Germany. She lives with her family in Húsavík, Iceland. After studying visual communication in the university of applied sciences in Dortmund, she co-founded the design studio Radau. Her fascination with typography and letterforms led her to move to Reading GBR and her MA in type design. Elena designs logos, retail and custom fonts. She is a visiting lecturer at HBKSaar and LHÍ Reykjavík, and a mentor at Alphabettes, a network to support and promote women in the type industry.