Style
Archaism
  • Desktop
    $30
  • Web
    $30
  • App
    $30
1 style
2019
  • Desktop
    $30
  • Web
    $30
  • App
    $30
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Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.
Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.
Вместе получается: «Неделима наша доля. Наша ноша нелегка».
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The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
Или как будто бы кто-то невидимый подкрадется сзади, положит руки тебе на плечи и засмеется таким знакомым смехом, что и слез не сдержать 
Согласно Книге рекордов Гиннесса, больше всего букв в алфавите кхмерского языка 
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About

Those who design informational announcements for print usually try to fill the entire area of the sheet, thus causing a mechanic deformation of the font. Disproportionate changes in height and width stretchings brutally distort style, thus causing text to take on bizarre forms, losing its original design. Archaism is an answer to artificial transformations, an attempt to go back, from distortion to regular and complete forms. A closed mechanical grotesque is created, based on a narrow font. The font has fifteen basic styles, also it has a variable version with two axes: contrast and weight.

Features

Standard ligatures

Languages

Afrikaans, Bashkir, Belarusian, Bulgarian, Catalan, Chechen, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Norwegian, Polish, Portuguese, Russian, Serbian, Slovene, Spain, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

Nikita Kanarev

Nikita is a type designer, living and working in Altai. He is a graduate of Ilya Ruderman’s course Type and Typography at the British Higher School of Art and Design in Moscow (2010–2011). He created Cyrillic versions for the following fonts: Baton Turbo, Aino (official font for the brand of Estonia).