Style
Gik
  • Desktop
    $56
  • Web
    $56
  • App
    $98
1 style
2024
  • Desktop
    $56
  • Web
    $56
  • App
    $98
140px
Brutal
Вместе получается: «Неделима наша доля. Наша ноша нелегка».
Вместе получается: «Неделима наша доля. Наша ноша нелегка».
А это я в трусах и в майке под одеялом с головой бегу по солнечной лужайке, и мой сурок со мной
50px
Brutal
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций. 
Или как будто бы кто-то невидимый подкрадется сзади, положит руки тебе на плечи и засмеется таким знакомым смехом, что и слез не сдержать 
Full codepage
About

Gik is a family of three modular typefaces: Fine, Medium, Brutal. Their design combines handwritten letterforms and plastic solutions of (De-)Constructivism, Brutalism, and de Stijl type. The typeface’ personality is a balancing act between modernist enthusiasm and postmodernist mockery.

Despite its conceptual controversy, Gik is a quite multi-purpose typeface which would be an appropriate choice for the Fashion Week set design as well as a crypto startup identity (there is a bitcoin sign in the character set designed specifically to this end).

Features

Case sensitive forms, contextual ligatures, proportional oldstyle figures

Languages

Afrikaans, Azeri (lat), Belarusian, Bulgarian, Czech, Danish, Dutch, English, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Italian, Kurdish (lat), Latvian, Lithuanian, Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Slovene, Spanish, Swedish, Turkish, Ukrainian, Uzbek (lat)

Authors

Denis Serebryakov

Denis is a font and graphic designer working in Minsk. His interest in type design stems from the development of logotypes: every logo greatly affected the look of fonts, all being display. He released the first retail typeface in 2011. Among his typefaces are Appetite Pro, Bouquet, Canapa, Displace 2.0, Epos, Rozza, and others.