Style
Flicker
  • Desktop
    $115
  • Web
    $115
  • App
    $200
5 styles
2020
  • Desktop
    $115
  • Web
    $115
  • App
    $200
Variable
Variable
from $30
48px
  • Desktop
    $115
  • Web
    $115
  • App
    $200
Алфавит отличается от пиктографического письма, где знаки обозначают понятия
Some of this website functionality is only available in browsers supporting the OpenType font variation. It seems yours isn’t one of them. Please, update it or browse with a different software (for example, the latest version of Google Chrome will do as it can be installed even if it’s been quite a while since you updated your OS).
Алфавит отличается от пиктографического письма, где знаки обозначают понятия
Regular
from $30
130px
  • Desktop
    $30
  • Web
    $30
  • App
    $45
Flicker RegularFlicker Regular
Distorted25
from $30
130px
  • Desktop
    $30
  • Web
    $30
  • App
    $45
Flicker Distorted25Flicker Distorted25
Distorted50
from $30
130px
  • Desktop
    $30
  • Web
    $30
  • App
    $45
Flicker Distorted50Flicker Distorted50
Distorted75
from $30
130px
  • Desktop
    $30
  • Web
    $30
  • App
    $45
Flicker Distorted75Flicker Distorted75
Distorted100
from $30
130px
  • Desktop
    $30
  • Web
    $30
  • App
    $45
Flicker Distorted100Flicker Distorted100
About

The idea of Flicker typeface is based on hypertrophy of optical compensators in stem joints. The letter proportions are narrow, the typeface is heavy, compact, can be assembled into a single, solid block and used as a decorative typographic element. There is not much difference between uppercase and lowercase, ascenders are longer as compared to descenders. The second master of variative typeface is decorative. Letters are distorted by ripple which reminds of water — this gave the name to the typeface. Both regular and decorative fonts work well together, and as the typeface is variable, the user can choose the amount of distortion necessary for their work. Flicker includes stylistic alternates set, fractions, indexes, case-sensitive punctuation. Contains extended Cyrillics and Latin.

Features

Case sensitive forms, standard ligatures, fractions, one stylistic set

Languages

Afrikaans, Albanian, Azeri (cyr), Azeri (lat), Bashkir, Belarusian, Bulgarian, Catalan, Chechen, Chuvash, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

Daria Karpenko

Daria Karpenko is a graphic and type designer based in Moscow. She had graduated from British Higher School of Art and Design in 2009 and a couple of years later took a Typeface design course supervised by Ilya Ruderman. In 2017-18 was an intern at CSTM fonts type foundry. Daria is an enthusiastic calligrapher. To find fresh design solutions she combines her understanding of the writing process with technological approach. Her scope of interests also includes linguistics and foreign languages, which feeds her experiments with non-Latin writing systems, such as Arabic and Greek. Daria is using her experience to develop logos, lettering and design murals.