Style
Flicker
  • Desktop
    $30
  • Web
    $30
  • App
    $45
1 style
2020
  • Desktop
    $30
  • Web
    $30
  • App
    $45
140px
Distorted25
Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.
Исследуется механизм спонтанно возникающих и саморазрушающихся коммуникаций.
Вместе получается: «Неделима наша доля. Наша ноша нелегка».
50px
Distorted25
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
The Latin alphabet was used in the earliest Asturian texts. Although the Academia de la Llingua Asturiana published orthographic rules in 1981, different spelling rules are used in Terra de Miranda.
Согласно Книге рекордов Гиннесса, больше всего букв в алфавите кхмерского языка 
А это я в трусах и в майке под одеялом с головой бегу по солнечной лужайке, и мой сурок со мной 
Full codepage
About

The idea of Flicker typeface is based on hypertrophy of optical compensators in stem joints. The letter proportions are narrow, the typeface is heavy, compact, can be assembled into a single, solid block and used as a decorative typographic element. There is not much difference between uppercase and lowercase, ascenders are longer as compared to descenders. The second master of variative typeface is decorative. Letters are distorted by ripple which reminds of water — this gave the name to the typeface. Both regular and decorative fonts work well together, and as the typeface is variable, the user can choose the amount of distortion necessary for their work. Flicker includes stylistic alternates set, fractions, indexes, case-sensitive punctuation. Contains extended Cyrillics and Latin.

Features

Case sensitive forms, standard ligatures, fractions, one stylistic set

Languages

Afrikaans, Albanian, Azeri (cyr), Azeri (lat), Bashkir, Belarusian, Bulgarian, Catalan, Chechen, Chuvash, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Finnish, French, Gaelic (Irish), Galician, German, Hungarian, Icelandic, Ingush, Italian, Kazakh, Kurdish (lat), Kyrghiz, Latvian, Lithuanian, Moldavian (cyr), Mongolian (cyr), Mongolian (lat), Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovene, Spanish, Swedish, Tadzhik, Tatar, Turkish, Turkmen, Ukrainian, Uzbek (lat)

Authors

Daria Karpenko

Daria Karpenko is a graphic and type designer based in Moscow. She had graduated from British Higher School of Art and Design in 2009 and a couple of years later took a Typeface design course supervised by Ilya Ruderman. In 2017-18 was an intern at CSTM fonts type foundry. Daria is an enthusiastic calligrapher. To find fresh design solutions she combines her understanding of the writing process with technological approach. Her scope of interests also includes linguistics and foreign languages, which feeds her experiments with non-Latin writing systems, such as Arabic and Greek. Daria is using her experience to develop logos, lettering and design murals.